Past Live Shows
7/22/2019 - Midnight Madness Show - Sarah HarralsonJuly 22, 2019
“My Grandaddy was always playing bluegrass music on his accordion in his living room. He inspired me to pursue my dreams in music and told me to always keep going. He was named Knoxville’s Man of the Year in 2006 and shared the stage with Dolly Parton years ago, so he was the perfect role model.” Sarah wrote a song titled “Granddad” on her debut EP and played his accordion on the recording. He still inspires Sarah to keep writing and recording.
Sarah started songwriting at such an early age after her parents were separated and she moved with her mother from Alabama to East Tennessee. “I was such a quiet child. I was always afraid to share my emotions and feelings with others so songwriting was and still is my gateway to let my emotions out whether it’s happy or sad. I always encourage young children that are shy to try to translate their feelings into art, because the result is beautiful. I have always been the youngest in my family with a huge age gap, so I have experienced a lot that people my age have never experienced before. I think this is what sets me apart, and I am grateful for that, because it has allowed my music to mature faster and although it’s hard to deal with emotions sometimes, I want to keep experiencing things so I can write about it.”
After her grandfather passed in 2011, Sarah decided she would move to Nashville two years later to pursue music at Belmont University. A year after releasing her debut EP in 2014, she was discovered by Scotty Schultz, drummer of Shooter Jennings (Waylon Jennings’s son). Scotty opened up his publishing company, Raindrop Music LLC, in 2015 and after hearing Sarah’s original song “Watered Down Whiskey”, he knew he wanted to sign her right away. This would be Sarah’s first publishing deal with Scotty signing three of her songs: “Watered Down Whiskey”, “Round and Around”, and a song off her debut EP, “Never Be the Same”. Also signed under Raindrop Music is Slim Gambill (lead guitar for Lady Antebellum).
“‘Watered Down Whiskey’ is probably one of my favorite songs I have ever written. I knew it was special from the reaction I have received from it. I wrote in my apartment one night after a breakup and knew I wanted to write a song about the guy who broke up with me. I had forgotten all about my glass of whiskey on the table, and when I went to drink it, it was already watered down. Then I had the idea of relating going on dates with other guys after you’ve been broken up with as watered down.”
Sarah played the song for a group of people in Mississippi and one lady began to cry, stating that it described her divorce perfectly. Sarah knew that she had to make her own personal recording of the song, and after speaking with publisher Scotty Schultz, he decided he would produce her first country release of all original songs that Sarah has either written or co-written.
One of the tracks on the new EP includes a song called, “Radio Static” that was co-written with Johnny Garcia (lead guitar for Garth Brooks). “This song is about a relationship that sort of goes silent all of a sudden, it’s like radio static, where you wonder what happened. I accidentally was able to get in the writing room with Johnny and we wrote this song with Brian Carper and Justin Lilley and it turned out great, especially the guitar on it.”
Another one of Sarah’s favorite songs on the EP is a track titled, “County Time.” Following her trip to Mississippi in 2016, she came back to Nashville with a notebook full of ideas and knew she wanted to write a driving, small town song. Shortly after, Sarah and her co-writer came up with the hook “we’re serving county time” and although it might offend some of the people in that small town, she thinks it’s too relatable not to put out.
Sarah’s country influences range from The Dixie Chicks to Brandy Clark to Johnny Cash, which comes across on her second EP, Watered Down Whiskey, which features story songs including unapologetic lyrics, relationships, having fun, and also the struggles in life. Scotty Schultz of Raindrop Music, LLC stated that, “she is a driven woman who deserves to be heard,” and the stories will definitely be heard. “When people tell me I’m not good enough or I can do better, it drives me to keep pushing and pursuing my dreams. If you want something bad enough, you can make it happen. God gave me this talent and I plan to use it to share it with others.”
"This EP will help many people and hopefully some will have their heart healed by her emotional lyrics," stated Music Update Central after hearing the release of her second EP, Watered Down Whiskey, in February 2018. Other than Scotty's production and drums on the EP, you can hear his brother, Josh Schultz (Cole Swindell) playing some catchy piano riffs on the EP.
Sarah is currently working and writing with guitarist, producer, and publisher Johnny Garcia (Garth Brooks; Busy at Play Publishing).
You can find her in Nashville playing at local writer rounds and co-writing during the week when she’s not recording. She is a member of NSAI, CMA EDU, BMI, and also plays at hospitals once a month for Musicians On Call. Sarah hopes that her music will help people in some way across the world. She is a big believer that music heals.
7/22/2019 - Midnight Madness Show - Randy FinchumJuly 22, 2019
He’s shared album credits with Garth Brooks and Tom Petty and his songs have been heard everywhere from the Tony Kornheiser Show to the Bluebird Café. Nashville native Randy Finchum is an award-winning songwriter and radio personality who has had over sixty songs recorded by various artists, among them country music great multi-platinum artist Sammy Kershaw. In the Christian Country genre, Randy has been blessed with four #1 songs as a writer and an artist, among them “Jesus Was a Rebel”, which was named 95.5 WTVY’s SON Country Countdown “Song Of The Year” for 2014. In May of 2016 Irish country music star Mary Duff released her CD “Changing Lanes” (ISG/Sony Music Australia) which included two of Randy’s songs, including her single and video for “What Heart Can Do”, which currently has over 350,000 views. In 2018 Irish band Hurricane Highway's cut of Randy's song "I Learned From You" was considered for a Grammy nomination.
On the radio side, Randy hosts the weekly “New Music Showcase” segment on the syndicated radio show “The HLE Christian Country Countdown with Steve Roberson” and previously hosted the "Music City Magic" segment on 106.5 WOCY as well as the “Nashville Night” radio show on the Nashville Songwriters Radio Network. Randy also has written theme songs for the nationally syndicated radio talk show “The Long Version with Fletcher Long” and the HLE Radio morning show, and has recently performed on the “Nashville Today” show and “The Music Row Show” on Nashville’s legendary radio station 650 WSM.
Randy has given his testimony of how God saved him in churches from Michigan to Alabama. His mission in music and in testimony is to let others know no matter where they are or what they’ve done, God is waiting for them to call on Him. “He is a great God, and I never knew just how great He was until He pulled me out of the darkness and into His light,” says Randy. “God’s got a miracle waiting on you!
7/21/2019 - Songwriters Round at the Commodore GrilleJuly 21, 2019
7:30 Debbie Zavitson & friends
8:00 Donnie Winters
8:30 Angela Easley, Tammy Sue Taylor, Chris Beard
9:00 Dan Petti, Dina Bach, Nathan Sennett
In the House at the GrinderHouse - Travis MeadowsJuly 19, 2019
An orphan who turned into a preacher
A preacher who turned into a songwriter
A songwriter that turned into a drunk
A drunk that is learning to be a human being
Travis Meadows spent years trying to escape himself. He’s anything but selfish, so he’d find a way to get away––a bottle, a bag, a sermon––and he’d share it with everyone. That was then. Now, Meadows isn’t trying to get anybody lost or high. Instead, he’s trying to get every single one of us to settle in deeply to ourselves––and love what’s there.
“I feel like what I’m doing is giving people permission to be okay with who they are, where they’re at now,” Meadows says. “A lot of us say stuff like, ‘If I’d been married to this guy or this girl, or if I had enough money, or if I had a better job. If I wasn’t an alcoholic, or if I drank more. If this, if that, then, I think I could be a better person.’” He pauses. “I think the key to life is being okay with who you are.”
Meadows isn’t just waxing poetic about the perks of self-acceptance. The 52-year-old has clawed his way to the peace he’s found, and his willingness to map that journey through his songs has saved more lives than his own. On his anxiously awaited new album First Cigarette, Meadows proves once again that when he sings the truth he’s living, he can set us all free. “I’ve always put secrets in my records, but I had this ring of fire that nobody could get in––a defense mechanism from my childhood. Nobody gets too close,” he says. “I think this record is a way of me letting people in a little more, inside the ring of fire.”
Disciples have been dancing by Meadows’ fire for years. Eric Church, Dierks Bentley, Jake Owen, Mary Gauthier, Brandy Clark, Blackberry Smoke, Hank Williams, Jr., Wynonna Judd, Randy Houser, and others began writing with, recording, and praising Meadows as soon as they heard his work. Songs such as “Riser,” the title track for Bentley’s 2015 album; Church’s “Knives of New Orleans” and “Dark Side”; and Owen’s “What We Ain’t Got” are all Meadows-penned chart-climbers.
Much of the attention began in 2010, when Meadows self-released Killin’ Uncle Buzzy, a raw masterpiece that left listeners stunned. “I was in rehab, and one of my counselors suggested that I keep a journal, so I basically made a record out of that journal,” Meadows says. It became an unlikely phenomenon, handed from friend to friend and artist to artist with whispers of, Listen. It’s the best thing you’ll hear all year. In 2013, Meadows followed Killin’ Uncle Buzzy with the acclaimed Old Ghosts and Unfinished Business. “On Killin’ Uncle Buzzy, you’re listening to a guy trying to figure out how to get sober,” Meadows says. “Then two years later, I was sober, but I wasn’t that guy anymore. That’s what ‘Old Ghosts’ was––me just trying to move forward. I feel like this record is more accessible. People can listen and go, ‘Well, hell. I’ve done that, too.’”